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The dance

Bharatanatyam

One of India's oldest classical dance forms, from Tamil Nadu: a language of rhythm, geometry and expression.

What is Bharatanatyam?

Movement, music & meaning

Bharatanatyam is a classical dance form of South India, rooted in Tamil Nadu and recognised as one of India's major classical dances.

Its grammar is described in ancient treatises on performance such as the Natya Shastra and the Abhinaya Darpana. A dancer combines precise footwork, sculptural postures, a vocabulary of hand gestures and expressive storytelling, all set to Carnatic music.

At Indīvarā Arts, students learn Bharatanatyam as a complete art: not only the steps, but the rhythm, music, theory, history and aesthetics behind them.

Three aspects

Nritta, Nritya & Natya

Every Bharatanatyam performance moves between three ways of dancing.

नृत्त

Nritta

Pure dance

Focusing on rhythm, technique and movement. It includes adavus and other technical movements, without conveying a specific emotion or story.

नृत्या

Nritya

Expressive dance

Combining movement with abhinaya. It explores bhava and rasa to communicate emotions, meanings and ideas.

नाट्य

Natya

Dramatic representation · dance-drama

Where Nritta and Nritya come together to tell a story. It often portrays narratives from mythology, literature or traditional stories through movement, expression, music and characterisation.

Srushti Loya performing Bharatanatyam on stage

Our lineage

The Kalakshetra tradition

Kalakshetra was founded in Chennai in 1936 by Rukmini Devi Arundale and became one of the most influential institutions in the modern history of Bharatanatyam.

The Kalakshetra style is known for its clean, geometric lines, precise footwork, disciplined posture and a refined sense of aesthetics.

Our founder, Srushti Loya, completed her graduation and post-graduation in Bharatanatyam at the Kalakshetra Foundation. Indīvarā Arts teaches in this tradition.

Meet our founder

The margam

The path of a recital

A traditional Bharatanatyam recital follows a set order of items called the margam, or “path”. Tap through it.

Pure dance · Invocation

Alarippu

Often the opening item. A short invocation in pure dance that “blossoms” the body, beginning with the eyes, neck and shoulders and opening into full movement. It warms the dancer up and greets the audience.

Items and their order can vary between traditions and recitals. Our Advanced level trains students in Varnam, Padam, Javali and Thillana.

Building blocks

What a dancer learns

Read our articles
AdavusThe basic units of movement, the alphabet of the dance.Read more HastasHand gestures with exact shapes, from the lotus bud to the full bloom.Explore
AbhinayaThe art of expression, through the face, eyes, body and gesture.
TalaRhythm cycles like Adi Talam that every step is set to.Read more
AraimandiThe grounded half-seated stance at the heart of the form.
NattuvangamConducting a performance with cymbals and spoken rhythm.

The music

Danced to Carnatic music

Bharatanatyam is performed to the classical music of South India. A live ensemble usually brings together four voices:

Nattuvanar

Conducts the performance with cymbals and recites the rhythmic syllables.

Vocalist

Sings the composition the dancer interprets.

Mridangam

The double-headed drum that drives the rhythm.

Melodic instruments

Such as violin, flute or veena, carrying the melody.

Violin and mridangam accompanying a recital at Indīvarā Arts
Live accompaniment at an Indīvarā Arts recital

Learn Bharatanatyam

Begin with your first adavu.

Level finder

Where should you begin?

How much Bharatanatyam training have you had?